Amelie Briggs

Kapra Neue Pro is a younger sister of Kapra Neue he was the #1 bestselling Grotesque Sans released in 2017 on MyFonts and grandson of Kapra.

Now you really have a lot of options to choose! New family is full of everything 96 weights contain a wide range of instances, from Condensed to Expanded, everything with rounded corners or with sharp ones.

Now, font has also: small caps, cyrillic script, and old-style figures. Kapra Neue Pro is inspired by a You And Me Monthly magazine, published by National Magazines Publisher RSW "Prasa in Poland, from May 1960 till December 1973.

Download Codec Cheat Sheets Codec is a geometric sans serif type system, designed by Cosimo Lorenzo Pancini with Francesco Canovaro and Andrea Tartarelli.

Codec provides you with two coherent variant fonts built on the same base skeleton: Codec Cold and Codec Warm.

In Codec Cold terminals are always cut parallel or perpendicular to the baseline, emphasizing geometry and giving the typeface a more constructed look.

In Codec Warm, on the contrary, open diagonal cuts and two-storey letterforms give the typeface a slightly more humanist look and a gentler, warmer text feeling.

More Both Codec Cold and Codec Warm come with a wide range of glyphs for language coverage, including cyrillic and greek alphabets, and of open type features, including small caps, positional numerals and swash forms.

Codec typefaces also include over a hundred variant ligature and alternate glyphs.

These glyphs, usually available as discretionary ligatures, have been made permanently active in the two Codec Logo subfamilies, designed for display use and logo design, and thus available with a bolder weight range and tighter metrics.

Codec Logo Cold makes the cold geometry alive with funky ligatures, while Codec Logo Warm randomly stretches characters: both allow for quick, unexpected solutions in logo design and display type treatment.

Looking at some specimen books of printing types of late nineteenth century, I found many ornamented capitals for headings among the typefaces.

Most of them showed a flourish like a tuscan serif - a characteristic trait of a peculiar capital lettering made with brush.

Dress is the result of the mash up between that influence and the Didone style - perfect for display.

To decorate, to adorn, to dress a design piece is the intention of this family, adapted to the twenty-first century.

The font should embellish book covers, publications, packagings, movie posters, greeting cards, stationery, among other uses.

Additionally, Dress matches very well with Limon Script. More Started up by the authors hand, Dress is a professional work, accurate, well spaced, with ligatures and alternates for uppercases, initials, endings and figures.

Each variable contains more than 1200 glyphs with plenty of OpenType features and extensive Western, Central and Eastern European language support.

The characters of the shades, inlines and outlines were not automatically made.

Instead, they were drawn one by one in order to take care of every detail, even the change of pressure of the hairlines.

The main member of this family is the Base font which can be used alone or decorated with the layers: Shade One or Shade Two, Inline One or Inline Two and Outline.

In this way, experienced designers will create their own combinations. On the other hand, there are multi-layered fonts that make Dress easier to use: Dress Combo One to Five.

Additionally, Dress Deco adorns the beginning and the ending of the words (1) while the Ornaments decorates the whole design.

The family package contains all this thirteen options. Lets Dress your work! (1) Take a look at the Instructions on the Gallery Section.

The Cannon family is the result of combining the clean aesthetics from a classic sans neo-grotesque with a touch of a geometric design.

The result is a simple but dynamic typeface with retro and technological airs.

Cannon is ideal for robust advertising, bold brand identities and packaging, also suitable for high impact headlines and short texts.

This type family consists of 36 variants and 9 weights (thin, extra light, light, regular, book, medium, bold, extra bold, black), matching italics for all weights and widths, matching small caps for all weights and widths, alternate characters and extended language support.

We are proud to introduce: Cannon.

Useful links: TT Severs PDF Type Specimen TT Severs graphic presentation at Behance TT Severs is a geometric grotesque with emphasized elements of internal brackets.

A distinctive feature of TT Severs is the unusual form of internal ovals, which refers us to the style of traditional Arabic writing.

TT Severs has a strong character and is great for use in high tech (IT), the web, in robotics, computer games, and sports.

More TT Severs is a 2-in-1 font family. In a large body size, it works great as a display font, creating a distinctive character for logos and headings.

At the same time, when TT Severs is used in a small body size or in large text arrays, the fonts peculiarities of bracket construction fade, and it perfectly functions as a text font, thanks to both the low contrast between vertical and horizontal strokes and the detailed logic of interaction of black and white letter elements.

The font family TT Severs includes 18 fonts, each of which consists of 558 glyphs.

The family has standard and discrete ligatures, which include experimental ligatures for the Cyrillic alphabet.

In addition, TT Severs can be made a little more humanistit is enough to turn on stylistic alternates, and due to them the font takes the form of a humanist grotesque, which refers us to traditional broad nib writing.

As part of the font family, you will also find old-style figures and a large number of OT features such as case, ordn, sups, sinf, dnom, numr, onum, tnum, pnum, liga, dlig, salt (ss01), frac.

Mackay is a powerful transitional serif in 6 weights plus matching italics, designed for screen and print.

The eccentric serifs on uppercase letters like E, F, L and T are inspired by Alexander Kays Ronaldson from 1884, working as the starting point for the family.

The lowercase letters follow the traditional Antiqua model with attributes tracing back to drawings from the early 20th century.

The grotesk lowercase a, as well as the sharp lowercase s, derived from the closed shapes of uppercase letters like C, G or S, create a compact and bold appearance while a large x-height and small descenders add a modern look.

More In favor of a dynamic and elegant impression, the design of the italic cuts come with a strong calligraphic influence.

This results in completely new shapes for letters like lowercase a or g, ensuring a smooth integration into their surrounding letters while maintaining a distinctive appearance when combining with romans.

The family comes with a variety of opentype features like case sensitive shapes, old style figures, fractions, ordinals and many more.

Additional attention was given to the standard and discretionary ligatures, extending the structure of the basic glyphs with elegantly designed letter combinations for g/i, i/t or s/t.

According to their dynamic architecture, the italic weights are equipped with additional initial swash characters to subtle accentuate the calligraphic roots.

As a result of a high stroke contrast the family works great in paragraphs with medium to large font sizes like headlines, short paragraphs or logos.

With its 12 cuts, the family meets all requirements on high quality typography.

BF Konkret Grotesk Pro, designed by Guido Schneider, is a contemporary grotesque with a straightforward style but a very individual touch.

Inspired by classic grotesque typefaces, Konkret Grotesk Pro impresses with its unique character and rhythm: Its elegant and edgy, flexible and forceful.

The Pro family supports up to 220 Latin-based languages. Each of the 16 fonts contains more than 1500 glyphs, including small caps, 7 figure sets, fractions, many ligatures, currency symbols, alternates, special characters and other useful symbols.

11 style sets give you the option to individualize and adjust the typeface to the requirement of your design, without changing the general visual feeling.

In this way you can also switch the simply slanted styled Italic into a real Italic.

More BF Konkret Grotesk Pro is a typeface family that can adapt to many requirements without losing its character and expression.

The range of 8 weights provides all possibilities. Due to the lovingly designed details, Konkret Grotesk Pro works both in small sizes as well as in display applications.

Thus, Konkret Grotesk Pro is ideally suited for contemporary and demanding typographic tasks, both in the fields of editorial design, branding, posters and advertising.

(The new Pro edition is the extended and optimized version of the previous BF Konkret Grotesk.

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Quiche is a high-contrast, sans serif typeface featuring ball terminals and angled stems. This 52 font superfamily is a complete branding suite. The 4 subfamiliesDisplay, Fine, Stencil, and Textwere created to work harmoniously together based on the need.

With weights ranging from thin to black and matching italics, there are a variety of applications that the fonts can be used for: print, web, branding, advertising, magazines, products, packaging, labels, etc.

The design is influenced by the serif didone genre, characterized by its elegance and extreme thick/thins, but it removes the serifs for a unique and modern expression.

The high-contrast style exudes sophistication, while the ball terminals balance it by softening the overall look to make it feel a little more approachable.

More For large type settings, like headlines and titles, use Quiche Display, Fine, or Stencil.

The Fine styles have the highest contrast, so their beauty shines at really large sizes.

For smaller type settings, like body copy and decks, use Quiche Text. It has less contrast and looser character spacing, making it a better reading experience at these sizes.

Quiche has many OpenType features, including: stylistic alternates, swash capitals, ligatures, small caps (Text styles only), fractions, subscripts, and superscripts.

This font has extensive Latin language support for Western, Central, and South Eastern European.

Monstice Family is elegant playful and decorative, including five style basically Base serif design and then expand to Engraved, Inline, Hatched, Emboss styles.

and extra element decorative, The font is well suited for display, header, poster, book covers,packaging and among other uses.

Every part of them have opentype features, swash, ligatures, and alternates with including the extra decorative element this font is easy to use and which allow designer to exploration features to create their own combinations.

Traction was originally conceived and designed by Swiss astronomer Christian Thalmann. Schriftlabor designers Chiara Mattersdorfer and Miriam Surányi expanded, completed and produced the font family.

This typeface sports signature serifs, soft edges and a fluid, organic design.

Enlarged, the organic letters are reminiscent of the profiles of ­off-road tyres and hiking boots.

In text sizes, it is the humanistic forms that set the tone to ensure fluid legibility.

Totalling at 18 styles in nine weights, all fonts come with small capitals and all possible numerical variations.

HEADING PRO ULTRA COMPRESSED is a variant of the original HEADING PRO typeface designed by Francesco Canovaro for Zetafonts.

Each Heading Pro typeface includes over 800 characters with coverage for 100+ languages using latin, cyrillic and greek alphabets.

A full array of open-type features is included in each weight including stylistic alternates, small caps, old-style and tabular numerals and positional figures.

More The full Heading Pro Super Family includes, Heading Ultra Compressed, Heading Pro, Heading Pro Text and Heading Pro Extended for a grand total of 146 FONTS built around 8 different widths from ultra-compressed to ultra-wide and 9 weights from thin to black, providing a wide spectrum of sans serif type solutions to your design problems.