Amelie Briggs

Blautha versatile and contemporary sans serif typefacecomes in 8 weights, ranging from Thin to Black, with matching italics and contains a set of alternate characters.

Its small x-height gives it an elegant feel that reminds us of classic typefaces.

Blauth is well-suited to continuous text and its uppercase set is ideal for high-impact headlines while its softened corners give your designs a warm and contemporary look.

Shirataki is a soft pen script with clear round letter shapes and large display capitals. Shirataki has really low contrast -its almost monolinear. Shirataki is a clear and friendly display script ideal for logo, signature, packaging, poster or headline purposes.

Shirataki uses Contextual Alternates to keep the connections smooth and it has Swash alternates for every standard letter.

Theres even more alternates in glyph palette. Theres also a set of swash endings coded in Titling Alternates and set in lowercase letters.

In addition theres a selection of strokes set in uppercase A-H. More Shirataki is PUA encoded so you can access extras in most graphic design softwares even without OpenType support.

In case you were wondering Shirataki are Japanese yam noodles. Enjoy!

Query was born out of that lineage of experimentation and developing a voice within type. I wanted this typeface to have a strong personality but also give room for legibility.

The typeface was inspired from people like Karl Heinz, to Hamiltons Class L fonts, and even civil rights posters from 1968.

My original intent was to make a single font that transformed the spirit of woodtype, but done in my voice today.

A college compared it to a modern Trade Gothic, which I never envisioned, but feel it is an accurate observation.

More As I continued to refine the work, I made sure that the personality, tone and voice was still there but also refining it so that when used, it was legible but still unique to anything I have seen.

I included over 400 glyphs that support many languages and also included three levels of stylistic sets for extra use and style.

Query is as fun to use as it is to look at.

Sugo Pro is a condensed geometric sans serif with a robust body, slightly rounded corners and no-nonsense street style attitude.

The sturdy, robust design of Sugo makes it an ideal choice for sports branding and street-style editorial use.

Lighter weights provide great legibility at small sizes while the regular and bold weights are more suited to titling, logo and headlines.

More It was designed in 2006 by Francesco Canovaro in two weights (regular and extralight) and later used by Cosimo Lorenzo Pancini as base inspiration for the design of the successful Zetafonts' Cocogoose Pro typeface.

In 2018 the family was completely redesigned by Andrea Tartarelli, expanding the original glyph set to include cyrillic and greek and adding three extra weights and italics.

The restored and revamped version, named Sugo Pro Classic, also includes full Open Type features for positional figures, Alternates and Small Caps, and restores alternate glyph shapes created by Canovaro for the original Sugo, accessible as Stylistic Alternates.

A companion typeface, Sugo Pro Display, uses these alternates as base glyphs and provides a tighter kerning, ideal for display use and logo design.

Delichia Font is a pairing of a bold connected script that moves in clean, sweeping dramatic gestures and rounded sans typeface.

Inspired by the smell of a bakery, this font is a perfect ingredient to make your design look tasteful.

Delichia Font is great to use for your logotype, restaurant menu, product labels, printable, branding, social media post and text overlay to any background picture.

Neptune is a large family of geometric sans serif fonts. Its designer Gaetan Baehr has created 12 styles: six different weights, ranging from Extralight to Extrabold.

Each has an upright and an oblique font on offer. Letters in all of Neptunes weights are drawn with virtually mono-linear strokes. Its lowercase letters have a tall x-height, but still leave enough room for the fonts diacritical marks.

These are actually quite large; theyll always be noticed, even in small sizes.

Neptunes a and g both have single-storey forms. The dots on the i, j, and diacritics are round, as are the punctuation marks, too. Despite being a geometric sans, Neptune features letters that break away somewhat from what previous fonts in that style have offered.

The Qs tail has been simplified into a short, vertical stroke. The strokes on both the S and the s terminate in vertical cuts, instead of having horizontal or diagonal terminals.

The lowercase k and t each have traits that come from our alphabets handwritten origins.

These details give text set in Neptune a different feeling from other geometric sans serifs.

Neptune is an excellent choice for both corporate design and editorial design projects, both because of its range of weights as well as its legibility in text.

Tyrium is the font pack. The Normal font combines with the alternate character font to make each word unique. Then add the Splatters font as your tagline and the ideal logo! Whats included: - .

TTF and .OTF files - Opentype features. - Splatters combines perfectly with Tyrium to create cool typography or logo design. - A range of multilingual support.

Bonny is a family of decorative serif fonts, designed for display typography. The letterforms are very condensed. They also contain a lot of stroke-contrast. Bonnys thin strokes often terminate in flourishes; these flourishes pair well with the typefaces serifs, which are both thin and short.

Bonnys uppercase letters are very top-heavy; the upper halves of B, E, F, H, K, M, R, S, and X are so large that they look almost like caricatures.

This feature is carried over the some of the lowercase letters, too. For example, Bonnys a, c, f, g, k, r, s, t, y, and z are all extravagant and lovely.

The v and w have calligraphic flourishes on their right-hand sides; similar expressions appear throughout rest of the the typeface, too.

Each font includes 13 f-ligatures. An alternate j may be automatically substituted into text, via the Contextual Alternates feature, preventing collisions with glyphs coming before it.

The fonts numerals are oldstyle figures, which match the rhythm of the lowercase letters.

From the Polish type designer Barbara Bigosinska, Bonny is an excellent choice for use on greeting cards and in packaging design.

Its fonts should be set in large point sizes, so that its details have enough space to really shine.

The pan-European Cera Collection is driven by pure geometry and contains the bestselling Cera, its stenciled counterpart Cera Stencil, the hand-crafted display Cera Brush and the soft Cera Round.

Developed for the narrow reading environments of mobile devices, user interfaces and text columns, Cera Condensed and Compact take the clarity and geometry of Cera Pro to new places.

More Narrow but not obviously condensed, Cera Compact is made for efficiency in body text.

With regularly proportioned spacing it has the flexibility for text and headlines, taking up less space without making text less readable.

Super tight Cera Condensed is for when you need a geometric sans that can work in a narrow space, large or small; compact information leaflet or compressed headline.

Condensed or Compact, a broad spectrum of six weights, thin to black, each with matching italics makes these fonts ready for any typographical requirement and reliable typographic tools for interfaces and corporate design.

And it gets even better: for best on-screen performance the TrueType files for the web and desktop fonts are improved with manual hinting.

The extended, pan-European Cera Condensed and Compact support around 150 languages in the Latin, Cyrillic and Greek scripts, and its non-Latin components were developed with native consultants.

With over 980 glyphs per style, Cera Condensed and Compact care about localised letterforms and have the OpenType features to match.

Harlan is from another place and time. But not just one specific place or time with its barely-there, knifes-edge serifs, and its smooth curves and flourishes, Harlan feels both vintage and modern; both feminine and masculine.

Inspired by the Baltimore bar WC Harlan, which in turn was inspired by the old candle-lit bars of France, the tucked-away osterias of Italy, and the antique books and journals one might find in a patrons hand.

Its a font you'll reach for when you're looking for something refined and elegant, but not too stylized or stuffy.

Brayline is a monoline swashed script, a typeface inspired by old neon signs. It contains with more than 400 glyphs, including alternative characters such as: titling, terminal forms, stylistic alternates, stylistic set, and swash variant.

Brayline very suitable to use on many of your design projects such as Signage , Book Covers, Invitation, Packaging, Logotype and more.

To enable the opentype stylistic alternates, you need a program that supports opentype features such as adobe illustrator cs, adobe indesign & coreldraw x6-x7 and more

Eine erfrischend klare Antiqua Schnebel Slab ist eine erfrischend klare und starke Interpretation einer zeitgemäßen Antiqua mit wenig Kontrast und kräftigen Serifen, die neben einer hervorragenden Lesbarkeit in kleinen Graden auch den notwendigen Ausdruck vermittelt, wenn sie als Headline verwendet wird.

Die speziell dazu gezeichneten Italic-Schnitte ergänzen ein harmonisches Gesamtbild, das durch seine Ästhetik nie an Spannung verliert.

Der sorgfältige Ausbau mit Ligaturen und Kapitälchen, Proportional- und Mediäval-Ziffern bietet alle Möglichkeiten für einen gepflegten Satz und die große Anzahl von je 6 Fettegraden lässt dem Gestaltungspiel Raum für unterschiedliche Kombinationen.

Dazu tragen auch die zusätzlichen Condensed und Expanded-Varianten bei, von denen jede für sich spezielle Eigenschaften hat und ihre je eigene Anmutung entfaltet.

More Schnebel Slab Pro ist die neueste Veröffentlichung der URW Type Foundry.

Die komplette Familie ist bis zum 10. Juli 2018 im Einführungsangebot mit 50% Rabatt auf das Volume und alle Einzelschnitte. Sie lässt sich besonders gut kombinieren mit der Schnebel Sans Pro. _______ The refreshingly clear Antiqua Schnebel Slab is a refreshingly clear and strong interpretation of a contemporary Antiqua with subtle contrast and firm serifs, which offer excellent readability at very small size, and, at the same time, provide a lot of expression for use in headlines.

The italics, drawn specifically for this purpose, contribute to a harmonious picture, which never loses creative tension, thanks to its aesthetics.

The careful addition of ligatures, small caps, and proportional and old-style figures allows for well-proportioned typesetting.

The condensed and expanded variants, which also come in 6 weights each, offer plenty of freedom to design with numerous combinations.

Schnebel Slab Pro is the latest publication by URW Type Foundry. The complete family is available with a 50% introductory off until July 10th, 2018. Schnebel Slab Pro combines especially well with Schnebel Sans Pro.

Total 18 styles, support extended latin and cyrillic. DN pro is geometric and modern sans serif. Has a features small caps, case-sensitive, standard/discretionary ligatures, numeral set and more.

Alternates character : Stylistic alt : @ set 01 : A, Y, a, y set 02 : A, Y, a, y set 03 : A, W set 04 : C, W, c, w set 05 : C, V, c set 06 : E, v, e set 07 : G, e, g set 08 : G, i set 09 : K, , k, , set 10 : M, m, l set 11 : M, n, r set 12 : Q, r set 13 : S, s set 14 : T, u set 15 : T set 16 : , set 17 : , set 18 : , set 19 : ,