Amelie Briggs

Sugo Pro is a condensed geometric sans serif with a robust body, slightly rounded corners and no-nonsense street style attitude.

The sturdy, robust design of Sugo makes it an ideal choice for sports branding and street-style editorial use.

Lighter weights provide great legibility at small sizes while the regular and bold weights are more suited to titling, logo and headlines.

More It was designed in 2006 by Francesco Canovaro in two weights (regular and extralight) and later used by Cosimo Lorenzo Pancini as base inspiration for the design of the successful Zetafonts' Cocogoose Pro typeface.

In 2018 the family was completely redesigned by Andrea Tartarelli, expanding the original glyph set to include cyrillic and greek and adding three extra weights and italics.

The restored and revamped version, named Sugo Pro Classic, also includes full Open Type features for positional figures, Alternates and Small Caps, and restores alternate glyph shapes created by Canovaro for the original Sugo, accessible as Stylistic Alternates.

A companion typeface, Sugo Pro Display, uses these alternates as base glyphs and provides a tighter kerning, ideal for display use and logo design.

Eine erfrischend klare Antiqua Schnebel Slab ist eine erfrischend klare und starke Interpretation einer zeitgemäßen Antiqua mit wenig Kontrast und kräftigen Serifen, die neben einer hervorragenden Lesbarkeit in kleinen Graden auch den notwendigen Ausdruck vermittelt, wenn sie als Headline verwendet wird.

Die speziell dazu gezeichneten Italic-Schnitte ergänzen ein harmonisches Gesamtbild, das durch seine Ästhetik nie an Spannung verliert.

Der sorgfältige Ausbau mit Ligaturen und Kapitälchen, Proportional- und Mediäval-Ziffern bietet alle Möglichkeiten für einen gepflegten Satz und die große Anzahl von je 6 Fettegraden lässt dem Gestaltungspiel Raum für unterschiedliche Kombinationen.

Dazu tragen auch die zusätzlichen Condensed und Expanded-Varianten bei, von denen jede für sich spezielle Eigenschaften hat und ihre je eigene Anmutung entfaltet.

More Schnebel Slab Pro ist die neueste Veröffentlichung der URW Type Foundry.

Die komplette Familie ist bis zum 10. Juli 2018 im Einführungsangebot mit 50% Rabatt auf das Volume und alle Einzelschnitte. Sie lässt sich besonders gut kombinieren mit der Schnebel Sans Pro. _______ The refreshingly clear Antiqua Schnebel Slab is a refreshingly clear and strong interpretation of a contemporary Antiqua with subtle contrast and firm serifs, which offer excellent readability at very small size, and, at the same time, provide a lot of expression for use in headlines.

The italics, drawn specifically for this purpose, contribute to a harmonious picture, which never loses creative tension, thanks to its aesthetics.

The careful addition of ligatures, small caps, and proportional and old-style figures allows for well-proportioned typesetting.

The condensed and expanded variants, which also come in 6 weights each, offer plenty of freedom to design with numerous combinations.

Schnebel Slab Pro is the latest publication by URW Type Foundry. The complete family is available with a 50% introductory off until July 10th, 2018. Schnebel Slab Pro combines especially well with Schnebel Sans Pro.

Mastro Sans is a contemporary humanist sans serif. The lowercase shapes are simple yet distinct, its organic design (specially the italic) are based on different stroke modulation ideas combined into a coherent whole.

The uppercase is inspired in roman capital proportions yet keeping the lowercase stroke modulation.

Mastro Sans has a total of 16 styles and it covers a large set of languages.

It also has many Opentype features, such as small caps, superscript numbers and letters, old style and lining figures, tabular figures, case sensitive forms, fractions and more.

More It is a design with a lot of personality while being versatile. You can use it in branding, editorial, web and video.

Blond is modern sans serif family with 22 members - 11 weights from Thin to Heavy with matching Italics.

Distinctive, recognizable and uniform, Blonde family is well balanced typeface that will find appliance in any situation - from editorial design to web design.

Contains extended Latin character map and small Stylistic set.

Lu Nolasco, also known as Lunol, is a fresh representative of a new generation of Souther American lettering artists.

She was born in Lima, Peru. After learning from some of the regions best teachers and exploring the pointed nib on her own, she became a prolific lettering workshop instructor herself.

More Miraflores is one of Limas main tourist attractions. An upscale district with a great window on the Pacific ocean, it is the place where Lu looks for inspiration.

It particularly inspired this Looking flowers (Miranda las flores), Lunols first typeface, designed in collaboration with Ale Paul.

It is a comprehensive informal script that comes with many alternates, swashes and ligatures, along with small cap and quite a few ornaments.

The fonts cover an expansive range of Latin languages, and are intended for use in stationery, menus, packaging, and general design where the main objective is to relay a sense of fun, playfulness and sensibility.

Bow Tie, a slight textured, organic and elegant signature. This modern, stylish but legible script is handy for logo, poster, headlines, invitations, cards and all display needs.

The OpenType Features are: stylistic alternates that cover all latin language and cyrillic, ligatures and discretionary ligatures.

Vin (translated from Ukrainian as he) is a superfamily consisting of three robust typefaces with pronounced vertical stems and rounded corners.

All three typefaces feature very large x-height for even more expression and assertiveness.

Vin Mono Pro is a squarish monospaced font family with extra-large x-height and rounded corners.

It is characterized by evident straight elements even in horizontal stems. Be sure to check other two typefaces of Vin superfamily: Vin Sans Pro and Vin Slab Pro.

Useful links: TT Smalls PDF Type Specimen TT Smalls graphic presentation at Behance TT Smalls is a geometric sans serif created for use in video clips and for video production.

The main feature of the font family is the big difference between the uppercase and lowercase characters, in which we intentionally diminish the x-height.

At the same time, in order for signs to be readable and balanced, the font uses pronounced visual compensators and a large letter spacing.

More In the typeface there is a decorative set of alternative characters that covers the uppercase Latin alphabet, uppercase Cyrillic alphabet, and standard figures.

As the thickness of the strokes decreases, the number of layer lines in the design of the letter decreases.

For example, in the Black weight, the design in an alternative decorative set consists of 4 layers-lines, and in Thin already only of one line.

In order to simplify the access to this special set, we have programmed it for the SMCP (small caps) feature.

You just need to turn it on. Especially for video production we have prepared a set of particular catchwords that are included in each font, and whose height corresponds to the x-height of the lowercase sign.

For catchwords output, you need to type a special combination of characters. For example, to get the AKA catchword, you need to type one of the following combinations: a+k+a, or A+K+A, or a_k_a, or A_K_A.

Using any of these combinations will make the catchword appear. It is important to note that for successful use of catchwords, the feature calt (contextual alternates) must be permanently turned on.

The TT Smalls font family consists of 18 fonts: 9 weights and 9 italics.

The family has a set of stylistic alternatives, which make the typeface a bit more humanist when turned on.

TT Smalls features 16 ligatures, including several Cyrillic, old-style figures, a set of navigational arrows.

In addition, TT Smalls supports a large number of other useful OpenType features such as case, ordn, sups, sinf, dnom, numr, onum, tnum, pnum, calt, frac.

Black Diamond isn't your average brush font, its raw, edgy & bursting with attitude! Hand-painted with extra attention to quick-strokes and dry textures, Black Diamond is guaranteed to deliver a loud, proud & unashamed message - ideal for logos, handwritten quotes, product packaging, merchandise, advertising, social media & branding projects.

More Black Diamond comes as a single font packed full of great features. It contains a full set of lower & uppercase letters, a large range of punctuation, numerals, and multilingual support.

The font also contains several ligatures and stylistic alternates for those who have opentype capable software.

Lastly you can add some finishing touches to your work with the added bonus extras; Just type out any of the square-bracket characters { } [ ] on your keyboard for quick and easy access to 4 different swashes, and the arrow up ^ key to produce paint splatters.

Huge Language Update; Black Diamond has now been updated to support Greek & Cyrillic alphabets.

Vin (translated from Ukrainian as he) is a superfamily consisting of three robust typefaces with pronounced vertical stems and rounded corners.

All three typefaces feature very large x-height for even more expression and assertiveness.

Vin Slab Pro is a condensed rigid slab-serif with extra-large x-height and rounded corners.

It is designed specifically for short texts to add significance and emphasis.

Be sure to check other two typefaces of Vin superfamily: Vin Sans Pro and Vin Mono Pro.

Anteb font family is one of those large and useful families that you really cant miss if you are looking for typeface combining originality and legibility.

Anteb is one of these a sans serif with modern look designed very smart with rounded corner.

It is developed in 10 separate weights ranging from Thin to ExtraBlack, each coming with Alternate version, which is well suited for a variety of typographic applications such as headlines and small texts.

The Anteb font family supports multiple languages and is available as both webfont and desktop font.

Antipol is a Sans Serif design that reverses the conventions of a regular Latin Sans Serif.

With a weight emphasis on the horizontals and its vertical terminals Antipol radiates a 1970s charisma known from the like of Antique Olive.

Its modern and avantgardistic attributes are most pronounced in the Hairline weight, where ultra thin lines meet distinctive arrowhead-corners.

This particular weight is meant for display settings, think full-page magazine titles or posters.

More Antipol Wide and Antipol Extended are a generous statement for graphic design with enough space to let the type breathe: art catalogs, lead texts, invitations, letterheads or brand identity.

Any style comes with a wide range of OpenType features that goes beyond a standard display font: Small Caps, Proportional and Tabular Oldstyle Figures and Lining Figures, Fractions, and much more.

Giulia is a sweet type family consisting of 12 Fonts. It was created by Hannes von Döhren and published by HvD Fonts. Besides a fancy curly version there is a second version with a more straight architecture, still owning the same soft and friendly character.

Informal and easy going at first sight and perfect for display settings, however the straight architecture of Giulia Plain also makes it nice for shorter to medium texts.

This contemporary type family is ideal for use in retail, packaging, games, food, kids applications and advertising.