Amelie Briggs

Born from the intersection of the geometric and grotesque typefaces. Aribau Grotesk combines low contrast and generous width proportions with typical traits of american gothics from the early 20th century, like the counters aperture and a double story g.

Driven by the process, some details that come from the geometric style arose, like the clean-shaped figures and the circular dots that convey a more affable and contemporary look.

Salvatore is the neo-grotesque younger brother of Nutmeg type family. It comes with 36 weights that have been separated in two flavours. The first half is Salvatore normal, which has more neutral features; and the second one is Salvatore Roman, which has more versatility at the end of the characters.

The name comes from the Mad Men character Salvatore Romano, who was a publisher in the mid 60s.

In that period, grotesques typefaces ruled advertising, nevertheless, there wasn't a typeface that represented publishers as Salvatore Romano, thats why we gave birth to this project.

More Designed with powerful OpenType features in mind, each weight includes alternate characters, ligatures, fractions, special numbers, arrows, extended language support and many more Perfectly suited for graphic design and any display/text use.

The 36 fonts are the first part of a larger Salvatore family. Were proud to introduce: Salvatore.

VAG Rounded Next brings a classic 1970s typeface up to date, keeping all of its easy going, approachable personality but adding some much-needed versatility and language support.

Originally commissioned by Volkswagen, VAG Rounded remained in use by the company until the early 90s and has also been used by Apple, Skype and Myspace.

Its enduring appeal lies in its appealingly rounded terminals, and its immediate, informal tone of voice.

More When you look at the Volkswagen Beetle it has these curves that are timeless and legendary, says Steve Matteson, who led the creation of VAG Rounded Next.

I think thats what stands out in this design that friendly aesthetic, and the simple line and circle.

This new version offers 700 glyphs with pan European language support (including Greek and Cyrllic), as well as 10 weights of upright and italic styles.

New display weights Shine and Rough which create chocolate popsicle and rust effects are begging to be used in branding, packaging and editorial projects, while the lighter weights are well suited for text.

Useful links: TT Severs PDF Type Specimen TT Severs graphic presentation at Behance TT Severs is a geometric grotesque with emphasized elements of internal brackets.

A distinctive feature of TT Severs is the unusual form of internal ovals, which refers us to the style of traditional Arabic writing.

TT Severs has a strong character and is great for use in high tech (IT), the web, in robotics, computer games, and sports.

More TT Severs is a 2-in-1 font family. In a large body size, it works great as a display font, creating a distinctive character for logos and headings.

At the same time, when TT Severs is used in a small body size or in large text arrays, the fonts peculiarities of bracket construction fade, and it perfectly functions as a text font, thanks to both the low contrast between vertical and horizontal strokes and the detailed logic of interaction of black and white letter elements.

The font family TT Severs includes 18 fonts, each of which consists of 558 glyphs.

The family has standard and discrete ligatures, which include experimental ligatures for the Cyrillic alphabet.

In addition, TT Severs can be made a little more humanistit is enough to turn on stylistic alternates, and due to them the font takes the form of a humanist grotesque, which refers us to traditional broad nib writing.

As part of the font family, you will also find old-style figures and a large number of OT features such as case, ordn, sups, sinf, dnom, numr, onum, tnum, pnum, liga, dlig, salt (ss01), frac.

This extensive 60-font type family was inspired by the best (and worst) of 1970s science fiction TV shows and movies.

Verbatim aims to extract the essence of futuristic type from that era, add a dash of modern style and conjure a cinematic typeface for the 21st century.

From the extremes of the thin condensed, all the way through to the black extended, Verbatim has the scope to add drama to your titles and headings, and finesse to your logo and branding projects.

Distinguishing features include a large x-height and open counters that aid legibility.

This typeface crosses a few boundaries of type specification in that it is both rounded and square, it is part geometric in construction with a touch of humanistic flair and stroke contrast giving Verbatim a distinctive and confident air.

More Key features: 6 weights in Roman and Oblique 5 Styles Condensed, Narrow, Regular, Wide, Extended Small Caps and 7 Alternates European Language Support (Latin) 600 glyphs per font.

See more detailed examples at the Verbatim microsite.

BF Konkret Grotesk Pro, designed by Guido Schneider, is a contemporary grotesque with a straightforward style but a very individual touch.

Inspired by classic grotesque typefaces, Konkret Grotesk Pro impresses with its unique character and rhythm: Its elegant and edgy, flexible and forceful.

The Pro family supports up to 220 Latin-based languages. Each of the 16 fonts contains more than 1500 glyphs, including small caps, 7 figure sets, fractions, many ligatures, currency symbols, alternates, special characters and other useful symbols.

11 style sets give you the option to individualize and adjust the typeface to the requirement of your design, without changing the general visual feeling.

In this way you can also switch the simply slanted styled Italic into a real Italic.

More BF Konkret Grotesk Pro is a typeface family that can adapt to many requirements without losing its character and expression.

The range of 8 weights provides all possibilities. Due to the lovingly designed details, Konkret Grotesk Pro works both in small sizes as well as in display applications.

Thus, Konkret Grotesk Pro is ideally suited for contemporary and demanding typographic tasks, both in the fields of editorial design, branding, posters and advertising.

(The new Pro edition is the extended and optimized version of the previous BF Konkret Grotesk.

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Demo is a flat-sided, technoid-style sans serif family. It has ten fonts on offer; thats five different weights, each with a companion italic.

The italics are really obliques, differentiating themselves from texts set with the upright fonts by their slant.

However, rather than calling the italic fonts slanted versions of Demos upright fonts, we should rather say that Demos upright fonts are straightened-up italics.

Much of the letter construction in the Demo typeface is actually italic, meaning that it is inspired by handwriting.

And this despite its being a sans serif with an almost futuristic appearance.

The a and g in Demo are both single-storey, but the combination of curves and corners in these two letters is right out of a 16th-century Italian chancery.

The other notable feature of Demo is the strong mono-linearity present in all ten of the fonts.

Demos letters do not include any visible stroke contrast: Demos lowercase has a very tall x-height, and the capital letters are compact (the lowercases ascender strokes rise above the caps somewhat).

Demo does not need to be restricted to use in display sizes only; its lighter weights may be used to set shorter passages of body copy, too.

Demo was designed by Aarya Purohit and the Indian Type Foundry (ITF).

Big modern sans-serif family, for multiple use.

Capital is a multifunctional super family with modernist roots. It is comprised of two distinct subfamilies: Gothic and Serif. Both share the same structure and proportions and come in seven weights thin, light, regular, bold, extra bold and black, along with corresponding italics.

Both Capital families are equipped with a full set of Cyrillic characters, making them a versatile choice for multinational use.

More All Capital fonts come with the following Open Type features: Small Caps, Old Style Figures, Fractions, Numero-sign & Ligatures.

Features specific for Gothic roman versions only are Circle Numerals, Titling alternate for the R character and Arrows.

The Gothic italics have a Titling alternates feature where the true italic forms are omitted and replaced with simpler stroke endings.

Both Capital gothic and Serif families are true workhorse fonts that can carry out almost any typographic task.

Combine them both for the best results multi-pack available for a no-brainer price.

Temper Wide was designed in 2018 by type designer Jeschke in Berlin. The font consists of many cuts from light to bold and is formally based on its predecessor, Sequel 100.

A characteristic feature of the Temper Wide is the almost equal thickness of the vertical and horizontal strokes, the horizontally cut endings of the letters a, c, e, g, s, as well as a striking R.

More Unlike other slab faces, the forms are absolutely clean and the x-height, in the normal thickness gradation a bit higher, in favor of legibility.

Temper Wide supports up to 74 languages. Graphics by Sagara Hirsch, Zurich.

Originally, Viktor Solt-Bittner developed Attorney as a custom font for a law firm, hence its name.

Attorney shows a systematic, yet unconventional placing of its serifs, hard corners and a clean design.

The typeface was produced by Schriftlabors type director, Lisa Schultz. Attorney consists of 7 weights, from Light to Black, each of them accompanied by an italic, totaling in 14 styles.

All of them contain several figure sets, small caps and many alternative forms, which are accessible by OpenType features.