Amelie Briggs

Liquidambar is actually a beautiful tree, native to America. I have one in my garden and I love its autumn colors! Liquid Amber is something else: it is a handmade all caps font that comes with oodles of diacritics, some swashes and some alternate glyphs.

Enjoy!

Mastro Sans is a contemporary humanist sans serif. The lowercase shapes are simple yet distinct, its organic design (specially the italic) are based on different stroke modulation ideas combined into a coherent whole.

The uppercase is inspired in roman capital proportions yet keeping the lowercase stroke modulation.

Mastro Sans has a total of 16 styles and it covers a large set of languages.

It also has many Opentype features, such as small caps, superscript numbers and letters, old style and lining figures, tabular figures, case sensitive forms, fractions and more.

More It is a design with a lot of personality while being versatile. You can use it in branding, editorial, web and video.

Plaquette is a collection of retro typefaces ranging from victorian to bauhaus to the sixties.

They are all equipped with a load of OpenType features such as alternates, catchwords, stylistics sets and others.

Plaquette 3D A chromatic set of fonts including gradient and outline layers. Crisp and precise. Plaquette Lovecraft More A vintage typeface with some sweet discretionary ligatures to make your typography exciting.

Take a look at the many alternates. Plaquette Sittl A clean geometric style with many alternative letters, some inspired by Paul Renners original Futura.

Plaquette Labels This set provides you with 220 different shapes ideal for logos, plates and labels.

Vin (translated from Ukrainian as he) is a superfamily consisting of three robust typefaces with pronounced vertical stems and rounded corners.

All three typefaces feature very large x-height for even more expression and assertiveness.

Vin Mono Pro is a squarish monospaced font family with extra-large x-height and rounded corners.

It is characterized by evident straight elements even in horizontal stems. Be sure to check other two typefaces of Vin superfamily: Vin Sans Pro and Vin Slab Pro.

Ana is a chromatic typeface consisting of 26 uppercase Latin characters, inspired by arabesque patterns from the nineteenth century.

Programmed to enable users to easily create multicolored drop caps and initials, this decorative display typeface features a different ornament for every letterform, which fits perfectly with its glyph shape.

This ornament is usually more luxurious on the left side of the letter, while on the right it is scarce, so that the body text can be placed close to the initial.

These initials are valuable for use in large sizes, like posters, magazines, packaging design, fairy tales, and so on.

The final forms of the initials consist of 5 parts which can be individually colored.

There are 5 font files named Ana Layer A, Ana Layer B, and so on. A font user can manually create a multicolored initial with these font files, if there is no possibility to use the Contextual Alternates option.

To do that, it is necessary to make 5 layers in the page layout software.

Then, the corresponding character should be placed on each layer, so that Ana Layer A is on the lowest layer and Ana Layer E is on the highest one.

Note that the glyph shapes are contained in the lower case positions. In contrast, the font file named Ana is programmed, so it is possible to create a multicolored initial with the Contextual Alternates command.

There is no need for additional layers, everything happens on a single layer.

First, the Contextual Alternates command (usually under OpenType menu) should be disabled.

Then, using lower case key, type the desired character 5 times and apply color to them.

Select them all and turn on the Contextual Alternates. Also, the font file Ana comes with a set of black initials that can be used just like any other non-color typeface.

The ornamental versions are contained in the uppercase positions, while the letters without the ornaments are in the lower case.

With the font file Ana Monochrome one can only get the monochrome initials.

Ornamental letters are contained in the upper case positions, while the letterforms without the ornaments are in the lower case.

Vin (translated from Ukrainian as he) is a superfamily consisting of three robust typefaces with pronounced vertical stems and rounded corners.

All three typefaces feature very large x-height for even more expression and assertiveness.

Vin Slab Pro is a condensed rigid slab-serif with extra-large x-height and rounded corners.

It is designed specifically for short texts to add significance and emphasis.

Be sure to check other two typefaces of Vin superfamily: Vin Sans Pro and Vin Mono Pro.

Marmalade Script by Uniontype is a modern multilingual type family inspired by vintage monoline fonts.

The family consists of light, regular, bold and printed styles. Choose olor and offset according to your taste. Marmalade Script provides advanced typographical support with contextual alternates, ligatures and swashes.

That way, youll have automatic access to the dozens extra glyphs in each of the fonts.

Marmalade Script is good for menu, signs, packaging, posters, letterings and logos.

Jiho Family is a modern sans-serif typeface that is clean, simple and highly readable. Letters in this type family are designed with minimal & modern shapes without any decorative distractions.

The spaces between individual letter forms are precisely adjusted to create the perfect typesetting.

Jiho is versatile type family of 18 fonts. Jiho family consists of 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy & Black) with their corresponding italics.

The Open Type fonts contain complete Latin 1252, Cyrillic, Central European 1250, Turkish 1254 character sets.

Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions, old style-figures and case features.

We highly recommend it for use in signage, books, web pages, screen displays, and so on.

Anteb font family is one of those large and useful families that you really cant miss if you are looking for typeface combining originality and legibility.

Anteb is one of these a sans serif with modern look designed very smart with rounded corner.

It is developed in 10 separate weights ranging from Thin to ExtraBlack, each coming with Alternate version, which is well suited for a variety of typographic applications such as headlines and small texts.

The Anteb font family supports multiple languages and is available as both webfont and desktop font.

Antipol is a Sans Serif design that reverses the conventions of a regular Latin Sans Serif.

With a weight emphasis on the horizontals and its vertical terminals Antipol radiates a 1970s charisma known from the like of Antique Olive.

Its modern and avantgardistic attributes are most pronounced in the Hairline weight, where ultra thin lines meet distinctive arrowhead-corners.

This particular weight is meant for display settings, think full-page magazine titles or posters.

More Antipol Wide and Antipol Extended are a generous statement for graphic design with enough space to let the type breathe: art catalogs, lead texts, invitations, letterheads or brand identity.

Any style comes with a wide range of OpenType features that goes beyond a standard display font: Small Caps, Proportional and Tabular Oldstyle Figures and Lining Figures, Fractions, and much more.

Squalo, the genesis The idea of this project called Squalo popped into my mind while I was working with excitement on some sketches.

I was chasing after a strong typographical character, something that for me has to be crystallized in form which is always legible and functional.

The concept More The concept of Squalo arises from the observation of an athletes body: you notice that even if most are lean, they are also strong, cut and chiselled.

The sport they play molds and modify their bodies. Just think, for instance, on a professional swimmer: during the competition every single muscle, tendon, tissue, cell is working to swim faster.

Every single part is there to give strength and speed like in a squalo (shark in italian).

Not as an eel, nor as a mermaid, nor as a hake. Just like a shark. If you take a quick look, you will notice that the width of the typeface is slightly more condensed than that of a standard sans serif.

We designed Squalo this way specifically to assist and strengthen your concepts through stylized typography.

We designed the joins and terminals (tip ends) of the characters A, V, W, Z, v, w, z, to create a feeling of tension, reinforcing the concept of shark, danger, caution, as well explicit, intentional movement.

Pure strength. We wanted to recall the exact moment of the start of the 100 meters race: when the sprinter initially spreads all of his powerful energy.

The italic version, starting with the former two typographical concepts of width and tension, emphasizes them.

First of all, we compressed the characters 10 percent more, and slanted it 10 degrees to the right.

With this movement I intended to convey the gorgeous feeling of tension in power and rapidity.

The typeface has 9 weights, from hair to black, and two versions, regular and italic.

All 18 fonts include small caps, unicase, tabular and oldstyle numbers, numerators and denominators, and much more.

Squalo is an ideal typeface that I recommend for use in marketing campaigns, design of packaging, magazines, branding for tv programs, films, book texts, editorial, publications, logos, corporate projects, web texts, and graphic design in motion.

Squalo supports the following languages: Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic (Latin), Asturian, Atayal, Aymara, Bashkir (Latin), Basque, Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Corsican Creek,Crimean Tatar (Latin),Croatian, Czech, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Estonian, Faroese, Fijian Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut)Guadeloupean, Creole, Gwichin, Haitian, Creole, Hän, Hawaiian, Hiligaynon, Hopi, Hotck (Latin), Hungarian, Icelandic, Ido, IgboI, locano, Indonesian, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Jamaican, Javanese (Latin), Jèrriais, Kala Lagaw Ya, Kapampangan (Latin), Kaqchikel, Karakalpak (Latin), Karelian (Latin), Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Ladin, Latin, Latino sine Flexione, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Mori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Old Icelandic, Old Norse, Oshiwambo, Ossetian (Latin), Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Qeqchi, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami (Inari Sami), Sami (Lule Sami), Sami (Northern Sami), Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio (Latin), Somali, Sorbian (Lower Sorbian), Sorbian (Upper Sorbian), Sotho (Northern), Sotho (Southern), Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Tzotzil, Uzbek (Latin), Venetian, Vepsian, Volapük, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu, Zuni

Introducing a new layered typeface called Dreadful. Inspired from classic horror movie and vintage comic. Dreadful typeface best uses for headings, Logo type, quotes, apparel design, invitations, flyer, poster, greeting cards, product packaging, book cover, printed quotes, cover album, movie, etc.