Amelie Briggs

Scorno is a geometric sans serif that offers a high legibility also in the lighter weights.

Scorno is ideal for sports and technology. The shape of its letters makes it different from most geometric fonts, making it suitable for branding, magazines, catalogues and much more.

Scorno is available in nine weights, from thin to heavy plus matching italics and it comes with open type features like old style and lining figures, ligatures, numerator, denominator, scientific figures, and fractions.

Whats more, it also features the bitcoin symbol in the currencies set.

Born from the intersection of the geometric and grotesque typefaces. Aribau Grotesk combines low contrast and generous width proportions with typical traits of american gothics from the early 20th century, like the counters aperture and a double story g.

Driven by the process, some details that come from the geometric style arose, like the clean-shaped figures and the circular dots that convey a more affable and contemporary look.

Originally designed in 1928, Plak is something of a lost gem in the type world. Despite being drawn by Futura creator Paul Renner, it never achieved the same popularity and spent decades lacking a much-needed digital revival.

Monotype designers Linda Hintz and Toshi Omagari have taken its existing three weights and, after extensive research into the original wood type, extended them into the vast Neue Plak family.

More The typeface is available in 60 weights that stay true to Renners intentions, and offer the same blend of quirky details and German stiffness as Hintz describes it.

The design is an unusual mixture, bringing together a defiant outer appearance thats counteracted by more playful details found in the lowercase r, and the large dots over the is.

Other distinctive details include open or strikethrough counters, and a set of hairline widths that reduce Renners original design to its bare bones.

Neue Plaks display weights are crying out to be used in editorial, on packaging or in logos, while its text weight works well in both print and digital environments.

VAG Rounded Next brings a classic 1970s typeface up to date, keeping all of its easy going, approachable personality but adding some much-needed versatility and language support.

Originally commissioned by Volkswagen, VAG Rounded remained in use by the company until the early 90s and has also been used by Apple, Skype and Myspace.

Its enduring appeal lies in its appealingly rounded terminals, and its immediate, informal tone of voice.

More When you look at the Volkswagen Beetle it has these curves that are timeless and legendary, says Steve Matteson, who led the creation of VAG Rounded Next.

I think thats what stands out in this design that friendly aesthetic, and the simple line and circle.

This new version offers 700 glyphs with pan European language support (including Greek and Cyrllic), as well as 10 weights of upright and italic styles.

New display weights Shine and Rough which create chocolate popsicle and rust effects are begging to be used in branding, packaging and editorial projects, while the lighter weights are well suited for text.

Point aims to be an epitome of the Geometric Style. Inspired by intemporal classics such as Futura, Avant Garde or Avenir, passing through more contemporary approaches of the same style; ignited by the overarching narrative of the Modernity (Perfect Geometric Shapes) and careful design decisions, Point is a font that references the past as well as projects itself to the contemporaneity.

With a total of 10 weights, with respective hand adjusted obliques, Point has a total of 20 styles with Extended Latin support as well as Cyrillic, all with the most needed Opentype features, such as fractions, tabular and oldstyle figures, alternates, case sensitive forms, etc.

More Point has a superb versatility and can be used in almost every circumstance, try it for yourself and see what point Point makes.

Axios was designed, on one side, due to its rational intention of searching the beauty on the purity of its forms, assuming the language of the early XX century geometric sanserifs, but its structure foundations are deeply attached into the classic typography; because while its uppercase proportions proceed form the roman canon, its lowercase are constructed following the humanist calligraphy ductus.

This blend produce a typeface of modern, clean and minimalist personality that has implicit, on its core, a classic traditional spirit.

All this gives Axios that form and function balance which allow it freely travel through a diverse range of fields like long text settings, branding or signalling systems with grace and naturality.

More Axios includes an extensive repertoire of ligatures, stylistic alternates, swashes and borders, in a set of more than 1000 glyphs per style with support for over 200 latin languages.

Bozon is a modern, minimalist geometric grotesk typeface. Letter shapes are crafted with the highest care for proportions and legibility. This clean, sharp sans serif is a great choice for all kinds of modern projects including branding, logo design and display use.

More Bozon family consists of 10 weights with corresponding italic styles, that give total of 20 styles.

Italic styles were hand drawn to get sharp and fine letter shapes. The family has extended language support, as well as broad number of OpenType features, such as small caps, case sensitive forms, ligatures, stylistic sets, contextual alternates, lining, oldstyle, tabular, circled and small cap figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.

NCT Torin is a friendly sans-serif font in 16 styles. It supports all major European languages, as well as Vietnamese, Greek, and Russian with additional Cyrillic support.

Includes many OpenType features for alternate numbers and letters, as shown in the poster images.

Inspired by old school sign painting techniques, Grand is a display condensed sans serif that isn't shy to put its foot down.

Its verticality and bulky curves combined with its sharp angular connections between the bowls and stems give Grand a distinctive look and feel.

It comes in 12 styles (6 weights and accompanying italics), and supports over 200 languages.

Grand Regular and Grand Italic are both available for free (personal and commercial use).

Suprema is 14 fonts modern sans serif family precisely designed for geometric perfection. It has 7 weights with matching true italics. When it comes to Opentype it has lots of features such as tabular lining, proportional oldstyle, tabular oldstyle, ligatures, superscript, subscript, fractions and language localisations for Polish, Dutch, Romanian, Moldovian and Catalan.

Suprema fits perfectly to any kind of modern graphic design project, it can be strikingly beautiful to look at as a logotype or pleasure to read in a long text.

It will definitely add a modern look and sense of professionalism to any piece of typography.