Amelie Briggs

Salvatore is the neo-grotesque younger brother of Nutmeg type family. It comes with 36 weights that have been separated in two flavours. The first half is Salvatore normal, which has more neutral features; and the second one is Salvatore Roman, which has more versatility at the end of the characters.

The name comes from the Mad Men character Salvatore Romano, who was a publisher in the mid 60s.

In that period, grotesques typefaces ruled advertising, nevertheless, there wasn't a typeface that represented publishers as Salvatore Romano, thats why we gave birth to this project.

More Designed with powerful OpenType features in mind, each weight includes alternate characters, ligatures, fractions, special numbers, arrows, extended language support and many more Perfectly suited for graphic design and any display/text use.

The 36 fonts are the first part of a larger Salvatore family. Were proud to introduce: Salvatore.

VAG Rounded Next brings a classic 1970s typeface up to date, keeping all of its easy going, approachable personality but adding some much-needed versatility and language support.

Originally commissioned by Volkswagen, VAG Rounded remained in use by the company until the early 90s and has also been used by Apple, Skype and Myspace.

Its enduring appeal lies in its appealingly rounded terminals, and its immediate, informal tone of voice.

More When you look at the Volkswagen Beetle it has these curves that are timeless and legendary, says Steve Matteson, who led the creation of VAG Rounded Next.

I think thats what stands out in this design that friendly aesthetic, and the simple line and circle.

This new version offers 700 glyphs with pan European language support (including Greek and Cyrllic), as well as 10 weights of upright and italic styles.

New display weights Shine and Rough which create chocolate popsicle and rust effects are begging to be used in branding, packaging and editorial projects, while the lighter weights are well suited for text.

Point aims to be an epitome of the Geometric Style. Inspired by intemporal classics such as Futura, Avant Garde or Avenir, passing through more contemporary approaches of the same style; ignited by the overarching narrative of the Modernity (Perfect Geometric Shapes) and careful design decisions, Point is a font that references the past as well as projects itself to the contemporaneity.

With a total of 10 weights, with respective hand adjusted obliques, Point has a total of 20 styles with Extended Latin support as well as Cyrillic, all with the most needed Opentype features, such as fractions, tabular and oldstyle figures, alternates, case sensitive forms, etc.

More Point has a superb versatility and can be used in almost every circumstance, try it for yourself and see what point Point makes.

Manofa is a calligraphic sans-serif typeface. It is inspired by Warren Chappells Lydian and originated from the experiments with the shape and form of the letter O.

The result is a contemporary, sharp and sculptural display. Details include four weights, matching italics, two widths, alternative characters and the OpenType features.

Morandi is the first commercial sans serif font created by Jovica Veljovi a much-awarded designer whos been creating typefaces for over thirty years.

The product of years of crafting letterforms, Morandi is supremely graceful. Each detail has been carefully refined for legibility, with open counters and generous apertures, and the bottom of round strokes slightly flattened.

Not just elegant in appearance, Morandi is an efficient design, versatile enough to work in print and digital environments, including on-screen applications.

The family offers three weight ranges and includes a large multi-national character set making it a practical choice, as well as an aesthetic one.

Looking at some specimen books of printing types of late nineteenth century, I found many ornamented capitals for headings among the typefaces.

Most of them showed a flourish like a tuscan serif - a characteristic trait of a peculiar capital lettering made with brush.

Dress is the result of the mash up between that influence and the Didone style - perfect for display.

To decorate, to adorn, to dress a design piece is the intention of this family, adapted to the twenty-first century.

The font should embellish book covers, publications, packagings, movie posters, greeting cards, stationery, among other uses.

Additionally, Dress matches very well with Limon Script. More Started up by the authors hand, Dress is a professional work, accurate, well spaced, with ligatures and alternates for uppercases, initials, endings and figures.

Each variable contains more than 1200 glyphs with plenty of OpenType features and extensive Western, Central and Eastern European language support.

The characters of the shades, inlines and outlines were not automatically made.

Instead, they were drawn one by one in order to take care of every detail, even the change of pressure of the hairlines.

The main member of this family is the Base font which can be used alone or decorated with the layers: Shade One or Shade Two, Inline One or Inline Two and Outline.

In this way, experienced designers will create their own combinations. On the other hand, there are multi-layered fonts that make Dress easier to use: Dress Combo One to Five.

Additionally, Dress Deco adorns the beginning and the ending of the words (1) while the Ornaments decorates the whole design.

The family package contains all this thirteen options. Lets Dress your work! (1) Take a look at the Instructions on the Gallery Section.

Speakeasy is a 5-font combo thematically built as a toolset for designing menus and liquor labels as well as coffees, restaurants and signs when the desire is to communicate with style.

Originally put together to be used by the most famous speakeasy in Buenos Aires, this set contains a script, a minor (almost flat) wedge serif, a flare serif, a sans serif, and a bold Didone.

The seed for the script was found in a German lettering book, and the other fonts reflect the familiar advertising and announcement styles of the early 20th century.

The Speakeasy script comes with two different ways to connect the letterforms.

Also included are many alternates, swashes, endings and flourishes all accessible via OpenType features or glyph palettes.

More Speakeasy Modern and Speakeasy Flare are small cap fonts, and come with a few alternates.

Speakeasy Sans and Speakeasy Gothic come with full sets of majuscules and minuscules, but contain small caps and a few alternates as well.

A few rules and ornaments are also sprinkled throughout the set. This combination of fonts worked wonderfully for the project that called for it. Hopefully it will work just as well for your project.