Download Antipol Fonts by phospho

Download Antipol Fonts by phospho
Download Antipol Fonts by phospho Download Antipol Fonts by phospho Download Antipol Fonts by phospho



Antipol is a Sans Serif design that reverses the conventions of a regular Latin Sans Serif.

With a weight emphasis on the horizontals and its vertical terminals Antipol radiates a 1970s charisma known from the like of Antique Olive.

Its modern and avantgardistic attributes are most pronounced in the Hairline weight, where ultra thin lines meet distinctive arrowhead-corners.

This particular weight is meant for display settings, think full-page magazine titles or posters.

More Antipol Wide and Antipol Extended are a generous statement for graphic design with enough space to let the type breathe: art catalogs, lead texts, invitations, letterheads or brand identity.

Any style comes with a wide range of OpenType features that goes beyond a standard display font: Small Caps, Proportional and Tabular Oldstyle Figures and Lining Figures, Fractions, and much more.



Download Antipol Fonts by phospho Download Now View Gallery


Download Squalo Fonts by Letritas

Download Squalo Fonts by Letritas
Download Squalo Fonts by Letritas Download Squalo Fonts by Letritas Download Squalo Fonts by Letritas



Squalo, the genesis The idea of this project called Squalo popped into my mind while I was working with excitement on some sketches.

I was chasing after a strong typographical character, something that for me has to be crystallized in form which is always legible and functional.

The concept More The concept of Squalo arises from the observation of an athletes body: you notice that even if most are lean, they are also strong, cut and chiselled.

The sport they play molds and modify their bodies. Just think, for instance, on a professional swimmer: during the competition every single muscle, tendon, tissue, cell is working to swim faster.

Every single part is there to give strength and speed like in a squalo (shark in italian).

Not as an eel, nor as a mermaid, nor as a hake. Just like a shark. If you take a quick look, you will notice that the width of the typeface is slightly more condensed than that of a standard sans serif.

We designed Squalo this way specifically to assist and strengthen your concepts through stylized typography.

We designed the joins and terminals (tip ends) of the characters A, V, W, Z, v, w, z, to create a feeling of tension, reinforcing the concept of shark, danger, caution, as well explicit, intentional movement.

Pure strength. We wanted to recall the exact moment of the start of the 100 meters race: when the sprinter initially spreads all of his powerful energy.

The italic version, starting with the former two typographical concepts of width and tension, emphasizes them.

First of all, we compressed the characters 10 percent more, and slanted it 10 degrees to the right.

With this movement I intended to convey the gorgeous feeling of tension in power and rapidity.

The typeface has 9 weights, from hair to black, and two versions, regular and italic.

All 18 fonts include small caps, unicase, tabular and oldstyle numbers, numerators and denominators, and much more.

Squalo is an ideal typeface that I recommend for use in marketing campaigns, design of packaging, magazines, branding for tv programs, films, book texts, editorial, publications, logos, corporate projects, web texts, and graphic design in motion.

Squalo supports the following languages: Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic (Latin), Asturian, Atayal, Aymara, Bashkir (Latin), Basque, Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Corsican Creek,Crimean Tatar (Latin),Croatian, Czech, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Estonian, Faroese, Fijian Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut)Guadeloupean, Creole, Gwichin, Haitian, Creole, Hän, Hawaiian, Hiligaynon, Hopi, Hotck (Latin), Hungarian, Icelandic, Ido, IgboI, locano, Indonesian, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Jamaican, Javanese (Latin), Jèrriais, Kala Lagaw Ya, Kapampangan (Latin), Kaqchikel, Karakalpak (Latin), Karelian (Latin), Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Ladin, Latin, Latino sine Flexione, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Mori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Old Icelandic, Old Norse, Oshiwambo, Ossetian (Latin), Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Qeqchi, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami (Inari Sami), Sami (Lule Sami), Sami (Northern Sami), Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio (Latin), Somali, Sorbian (Lower Sorbian), Sorbian (Upper Sorbian), Sotho (Northern), Sotho (Southern), Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Tzotzil, Uzbek (Latin), Venetian, Vepsian, Volapük, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu, Zuni


Download Squalo Fonts by Letritas Download Now View Gallery


Download Dreadful Fonts by Aiyari

Download Dreadful Fonts by Aiyari
Download Dreadful Fonts by Aiyari Download Dreadful Fonts by Aiyari Download Dreadful Fonts by Aiyari



Introducing a new layered typeface called Dreadful. Inspired from classic horror movie and vintage comic. Dreadful typeface best uses for headings, Logo type, quotes, apparel design, invitations, flyer, poster, greeting cards, product packaging, book cover, printed quotes, cover album, movie, etc.



Download Dreadful Fonts by Aiyari Download Now View Gallery


Download La Bodeguita Fonts by Resistenza

Download La Bodeguita Fonts by Resistenza
Download La Bodeguita Fonts by Resistenza Download La Bodeguita Fonts by Resistenza Download La Bodeguita Fonts by Resistenza



La Bodeguita is a new calligraphic font carefully designed with walnut ink and a Spencerian feather on an oblique penholder.

Bodega means wine cellar, Bodeguita small "wine cellar"_ This font contains 2 styles, La Bodeguita Regular & La bodeguita Slanted + one Swashes and ornament.

More than 400 glyphs We recommend to use La Bodeguita for Labels design, notes, cards, wedding cards etc.



Download La Bodeguita Fonts by Resistenza Download Now View Gallery


Download Karlie Fonts by DearType

Download Karlie Fonts by DearType
Download Karlie Fonts by DearType Download Karlie Fonts by DearType Download Karlie Fonts by DearType



Karlie is a neat combination of a friendly script and a modern all-caps serif in five widths.

The font family is extremely versatile and is perfect for high-end logotypes and magazine headlines, let alone greeting cards, invitations, posters, book covers, ads and the various web and screen usages.

The combination of two different font styles (script and serif) also performs very well on product packaging.

As for the technical side, the Karlie family has extensive language support and includes a handful of ligatures, stylistic sets and swashes that add visual interest to every letter.

We've also included some extras with ready-made words and symbols for more design freedom.

More The Karlie Font Family in a nutshell: - Karlie - a dancing baseline script with connecting letters - Karlie Alt - similar feel to Karlie, but with disconnected letters - Karlie Serif - a set of five serifs with different widths for a different impact - Karlie Extras - a set of additional designs that will add up to the familys charm.

The overall feel of the family is a combination of casual and sophisticated, thus making it perfect for modern-day applications.



Download Karlie Fonts by DearType Download Now View Gallery


Download High™ Fonts by Alias

Download High™ Fonts by Alias
Download High™ Fonts by Alias Download High™ Fonts by Alias Download High™ Fonts by Alias



High is defined by a set of simple ideas, or constraints. A non-geometric, humanist shape. A monoline weight. Stencilled, with a horizontal or vertical cut only, the stencil gap consistent ­ so positioned where that is possible.

Highs letter shapes, which because of the stencilling are free of awkward connections at curve-to-vertical, have a fluidity and simplicity.

By separating the letter elements, the stencilling makes the letters interesting, graphic shapes, making decorative words.

More High has two options High Bar, which is a linear serif, and High Ball which has a circle-serif, like a ball terminal.

The circle of HighBall suggests Didone typefaces, High Bar more utility, modern, slab serifs.

With High Bar, the vertical serifs are consistently sized and unusually long.

The shape repeats the c has same-size serifs top and bottom, letters such as the f, j, r and y have slab serifs, the serifs and tittles of i and j the same size.

These dash-serifs make a linear pattern, and has the feeling of a kind of a code.

The ball terminal of High Ball gives a decorative effect a series of floating, bouncing balls across words and text.

The ball device is added top and bottom of the c, the g, j and y to ensure balance and rhythm across words and text.

As with High Bar, the repeating pattern give a codified look.


Download High™ Fonts by Alias Download Now View Gallery


Download Giulia Fonts by HVD Fonts

Download Giulia Fonts by HVD Fonts
Download Giulia Fonts by HVD Fonts Download Giulia Fonts by HVD Fonts Download Giulia Fonts by HVD Fonts



Giulia is a sweet type family consisting of 12 Fonts. It was created by Hannes von Döhren and published by HvD Fonts. Besides a fancy curly version there is a second version with a more straight architecture, still owning the same soft and friendly character.

Informal and easy going at first sight and perfect for display settings, however the straight architecture of Giulia Plain also makes it nice for shorter to medium texts.

This contemporary type family is ideal for use in retail, packaging, games, food, kids applications and advertising.



Download Giulia Fonts by HVD Fonts Download Now View Gallery